STAUNTON’S
PRESERVED ARCHITECTURE IS FOCUS OF NEW EXHIBIT
On Sept. 1, the splendor, diversity and economic
impact of Staunton's historic architecture – and the hard-won
fight to preserve it – will serve as the focus for an exhibit at
the R.R. Smith Center for History and Art at 20 S. New Street.
Hours for the exhibit, which is free and open to the public, are
10 a.m. to 5 p.m. Monday through Friday; 10 a.m. to 2 p.m.
Saturdays; and 1-4 p.m. Sundays. The exhibit will run through
Sept. 27.
Staunton, which was founded in 1747, is considered nationally as
a showpiece for community revitalization and the economic impact
of historic preservation. The five historic districts comprising
Staunton's downtown feature hundreds of restored structures,
some of which have earned national preservation awards.
The exhibit, which is the first of its kind in Staunton in more
than 25 years, will feature architectural renderings by some of
the city's most touted architects and artists, historic images
in the form of photographs, postcards, prints and lithographs,
artifacts from Staunton's past and illustrated timelines
depicting the growth of the historic preservation movement in
the Queen City. Many previously unseen and unpublished images
from the Hamrick Photo Collection have been made available for
the exhibit.
Also included will be displays, quotes and images designed to
stimulate thought and discussion about the future of Staunton's
heritage.
"This exhibit is a balance between the architecture itself and
architecture as art, along with the story of saving that
heritage," said William T. Frazier of Frazier Associates, one of
the exhibit's coordinators. "A lot of preservation work has
occurred since the last exhibit in 1981, and a group of us who
were involved in the early years felt it was time to revisit the
issue and share with the community the successes Staunton has
enjoyed."
One of the architects featured in the exhibit, Frazier said, is
Thomas Blackburn, who lived and worked in Staunton in the mid
19th century. Until recently, Blackburn’s work had been
forgotten, but was rediscovered when an art dealer in New York
found three portfolios of original Blackburn drawings and sold
them to the Virginia Historical Society. Architectural historian
Bryan Clark Green of Richmond is responsible for uncovering much
information about Blackburn’s designs and has just authored a
book on the architect who worked under Thomas Jefferson during
the construction of the University of Virginia.
Copies of some of Blackburn’s work – including a Masonic temple
that pre-dated the current structure on West Beverley Street,
buildings at Western State Hospital and other structures – will
complement the drawings of T.J. Collins, his son, Sam Collins.
The exhibit will also feature the original paintings of many
Staunton buildings done by Charlottesville artist John Ruseau
during the past forty years.
Frazier said that numerous other images and artifacts have been
provided by local collectors and Historic Staunton Foundation.
He added that the exhibit will coincide September 22-25, 2007
with the 22nd annual Virginia Preservation Conference and
Restore Virginia! Workshop offered by APVA Preservation Virginia
and the Virginia Department of Historic Resources at the city’s
newly refurbished Stonewall Jackson Hotel, the R. R. Smith
Center, Blackfriars Playhouse and the Frontier Culture Museum.
Frazier, in noting why Staunton’s historic architecture and its
preservation are important, quoted from author, poet and artist
John Ruskin: “They are not ours. They belong partly to those who
built them and partly to all the generations of mankind who are
to follow us. That which they intended to be permanent, we have
no right to obliterate. What other men gave their strength and
wealth and life to accomplish, it belongs to all their
successors.”
In addition to Frazier, exhibit coordinators include Deneen
Brannock of Historic Staunton Foundation, Katharine Brown of
Augusta County Historical Society, photographer and historian
Rick Chittum, writer Charles Culbertson, Kathy Frazier of
Frazier Associates, Terry Graham of APVA Preservation Virginia,
Beth Hodge of Staunton Augusta Art Center, author Liz McCue,
architect Doug Roller, Robert Rhodes and Beth Scripps of Frazier
Associates, and Billie Guill-Smith of the R. R. Smith Center for
History and Art.
The R. R. Smith Center, named in honor of long-time state and
community leader R. R. “Jake” Smith, is a collaboration of three
leading cultural organizations in the Staunton/Augusta County
area of the Shenandoah Valley: Augusta County Historical
Society, Historic Staunton Foundation, and the Staunton Augusta
Art Center. The center is housed in what was originally the
Eakleton Hotel, a 25,200 square foot building designed in 1893
by noted local architect T. J. Collins. The Smith Center houses
exhibit galleries, a lecture hall, classrooms, archival areas, a
library and reading room, conference facilities, and offices for
the three non-profit organizations.